About this objectThe artist painted this work in the same year he was appointed Professor of Painting at the Slade School of Fine Art in London. It was around this time that Steer gradually began to move away from French Impressionism and stopped showing his more radical works.
Steer described his early explorations in a different style from 1893 onwards as experimentation in ‘the classical machinery of landscape composition.’ This painting is typical of this transitional period. Its pastoral subject matter shows the influence of landscape artists such as J. M. W. Turner (1775-1851) and Claude Lorrain (1600-1682).
MakerSteer, Philip Wilson (1860-1942)
Maker Rolepainter
Date Made1893
Period19th century
Medium and Materialsmedium: oil
support: board
Style and IconographyImpressionist
Style and IconographyEnglish landscape
Style and IconographyLandscape
Techniqueoil on board
Measurementssupport: height: 18 cm
support: width: 27.3 cm
Credit LineGift from the National Art Collections Fund, 1970
