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X-ORIGINAL-URL:https://williamsonartgallery.org
X-WR-CALDESC:Events for Williamson Art Gallery
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DTSTART:20230101T000000
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DTSTART;TZID=UTC:20240126T100000
DTEND;TZID=UTC:20240406T170000
DTSTAMP:20260528T045249
CREATED:20240103T160658Z
LAST-MODIFIED:20240322T151618Z
UID:10000091-1706263200-1712422800@williamsonartgallery.org
SUMMARY:Craig Easton: Is Anybody Listening?
DESCRIPTION:Williamson Art Gallery & Museum presents Craig Easton: Is Anybody Listening?\, a touring exhibition from the University of Salford Art Collection which showcases two award-winning series of photographs; Bank Top and Thatcher’s Children. \nCraig Easton: Is Anybody Listening? seeks to challenge typical stereotypes of northern communities through authentic representation and raise aspirations of young people within the region through an accompanying engagement programme called Our Time\, Our Place. \nThe engagement programme\, Our Time\, Our Place being exhibited alongside Easton’s work\, has empowered young people to explore their own history and share it through pathways in photography and associated practices. \nIs Anybody Listening? Our Time\, Our Place is presented by the University of Salford and generously supported by The National Heritage Lottery Fund. \n\nAbout Craig Easton\n\nEaston won Photographer of the Year (2021) at the Sony World Photography Awards with his series Bank Top\, a collaboration with writer\, poet and social researcher Abdul Aziz Hafiz\, examining the representation and misrepresentation of northern communities. Commissioned by Blackburn Museum & Art Gallery\, the work focused on a small\, tight-knit community in Blackburn. \nHe also took second place in the documentary category for Thatcher’s Children\, which explores the inter-generational nature of poverty and economic hardship as experienced by three generations of one family across the Northwest. \nA passionate believer in working collaboratively with others\, Easton also conceived and led the critically acclaimed SIXTEEN project with sixteen leading photographers exploring the hopes\, ambitions and fears of sixteen-year-olds all around the UK\, in which Williamson Art Gallery also participated as an exhibiting gallery. \nHe often tackles stereotypes and responds to the negative way in which the mainstream media can portray Northern communities. The relevance of Easton’s work has resurfaced in a new light as communities endure the cost-of-living crisis and face new challenges and segregation. \nThe exhibition comes at the same time as the launch of Easton’s new book centred on his award-winning Thatcher’s Children series. Quotes from successive prime ministers demonstrate how deprivation is connected to the social policy failures of successive governments. \nThe exhibition marks the start of Wirral’s year as Borough of Culture for the Liverpool City Region. Wirral Borough of Culture 2024 is a year of incredible experiences in incredible places\, reflecting Wirral’s story and celebrating its people. The programme features a diverse line-up of culture\, arts and heritage across the whole borough and shines a spotlight on Wirral’s creative community and the regeneration of the Left Bank of the River Mersey.  Wirral Borough of Culture 2024 is led by Wirral Council and local cultural partners\, with support from Liverpool City Region Combined Authority and the UK Shared Prosperity Fund. \n 
URL:https://williamsonartgallery.org/event/is-anybody-listening/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Exhibitions,slide 1
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ORGANIZER;CN="Williamson Art Gallery":MAILTO:arts@williamsonartgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240216T080000
DTEND;TZID=UTC:20241221T170000
DTSTAMP:20260528T045249
CREATED:20240411T152152Z
LAST-MODIFIED:20240829T135445Z
UID:10000183-1708070400-1734800400@williamsonartgallery.org
SUMMARY:Pete Hoida
DESCRIPTION:Gallery 11 is currently home to an exhibition of work by Birkenhead-born artist Pete Hoida (1944-2023). \nThe paintings of Birkenhead-born Hoida are known for strong colour relationships alongside tonal subtlety and a unique approach to textures. Hoida studied Landscape Architecture followed by Art School at Hammersmith\, priory to graduating from the extended diploma course at Goldsmiths. His work has been authoritatively endorsed in essays by Mel Gooding and Chris Stephens\, and is well regarded by his peers. Hoida lived and worked in Stroud\, for over 40 years in the same hillside studio. \nThe Williamson has acquired his painting ‘Uisghe’ for our collections\, but all other paintings currently on display are for sale (however\, please note that the are not eligible for the Own Art Scheme). \nPlease note this exhibition may not be accessible when meetings are in progress. \nOwn Art
URL:https://williamsonartgallery.org/event/pete-hoida/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Exhibitions,Slide 4
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240406T100000
DTEND;TZID=UTC:20240615T170000
DTSTAMP:20260528T045249
CREATED:20240103T164612Z
LAST-MODIFIED:20240619T151514Z
UID:10000092-1712397600-1718470800@williamsonartgallery.org
SUMMARY:David Clapham: The River Runs Through
DESCRIPTION:Clapham’s recent work has been inspired by views of places he has lived in London and Portugal. These paintings explore the sense of how the landscape dominates the everyday experiences of life in these places\, united by the common theme of the river. \nTwo views in particular dominate these current works. Clapham’s studio in central Portugal\, where all of these works have been made over the past three years\, overlooks the Ceira valley. The density of the mountainous forests contrasts with the views from Clapham’s recent London residence in Canary Wharf\, a severe built environment of its high quality of marble\, granite\, and glass. These two contrasting views have\, in their separate ways\, both dominated Clapham’s recent lived experience. With canvases divided into full-scale windows the views they represent are divided\, sliced into contrasting images\, yet eventually reconciled. In this way Clapham explores how combinations of colours and textures may trigger unlooked-for emotional responses. \nThe most recent work combines these images with the black-and-white news coverage of the Ukrainian conflict that has dominated the news cycle in recent years. \n 
URL:https://williamsonartgallery.org/event/david-clapham/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Exhibitions
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ORGANIZER;CN="Williamson Art Gallery":MAILTO:arts@williamsonartgallery.org
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240417T130000
DTEND;TZID=UTC:20240417T160000
DTSTAMP:20260528T045249
CREATED:20240311T114015Z
LAST-MODIFIED:20240619T151519Z
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SUMMARY:Ceramics Workshop
DESCRIPTION:Book Now \n\nJoin ceramicist Jo Williams for a ceramics workshop where you will be able to hand build and form 2 plates of differing sizes and coat in coloured slips. \n\nYou will pencil simple shapes or images on your plates then carve away the background with carving tools while your plate is leatherhard\, a relaxing and mindful experience leaving you with beautiful plates to use or display. \nJo will take your plates away to clear glaze and fire and will bring them back to the Williamson for you to pick up 2 weeks later. \nSuitable for all abilities including absolute beginners. All materials included.
URL:https://williamsonartgallery.org/event/ceramics-workshop/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Events,Slide 4
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240419T100000
DTEND;TZID=UTC:20240727T170000
DTSTAMP:20260528T045249
CREATED:20240125T132040Z
LAST-MODIFIED:20240619T151506Z
UID:10000162-1713520800-1722099600@williamsonartgallery.org
SUMMARY:Going To The Match On Tour
DESCRIPTION:Going to the Match\, painted in 1953\, is LS Lowry’s best-known and most popular picture. Although he painted football-themed scenes before and after this date it is Going to the Match which has become iconic – an enduring representation of what match day means to fans. \nThe 1953 work shows fans arriving for a Bolton Wanderers game at their former home\, Burnden Park. The painting’s iconic status has been recognised and loved by visitors of all ages: especially those who love football and those who celebrate this quintessentially Northern experience. \nThis hugely important and much-loved work of art had been on public display at The Lowry\, Salford since it opened in 2000\, courtesy of a loan by the then owners the Professional Footballers Association (PFA). Following a high-profile campaign\, Going to the Match was purchased by The Lowry in Salford for The Lowry Collection at the Modern British & Irish Art Sale at Christie’s in London in October 2022\, thanks to the generous support of The Law Family Charitable Foundation. The painting returned to public display at The Lowry in November 2022 as part of Salford’s Lowry Collection and The Lowry is now working with galleries and venues across the North West to ensure that the piece can be enjoyed by the widest possible audience across the region. Supported by a £95\,000 grant from Arts Council England through its National Lottery Project Grants programme and additional support from the Sir Bobby Charlton Foundation\, the tour will mean this iconic painting can be enjoyed by the widest possible audience across the region. \nThe painting is being displayed at the Williamson alongside other works by Lowry and a selection of pictures from the Williamson’s collection which place Lowry in the wider context of painting in Northern England in the mid 20th Century. \n#LowryGTTM \nImage Credit: LS Lowry\, Going to the Match\, 1953\n© The Estate of L.S. Lowry. All Rights Reserved\, DACS 2024
URL:https://williamsonartgallery.org/event/going-to-the-match/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Exhibitions,slide 1
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240426T183000
DTEND;TZID=UTC:20240426T203000
DTSTAMP:20260528T045249
CREATED:20240412T095027Z
LAST-MODIFIED:20240619T151459Z
UID:10000184-1714156200-1714163400@williamsonartgallery.org
SUMMARY:Jazz with Mark Jones & Gerry Harrison
DESCRIPTION:Gerry Harrison (piano) and Mark Jones (woodwind) is a blend of different instruments\, playing hot\, cool and modern jazz! \nThey have been playing together for many years\, in a variety of jazz ensembles and duets instrumentally covering the best of the Great American Songbook hits! Venues they’ve played include Bluecoat\, Liverpool ONE\, MelloMello\, Ship & Mitre Pub and Capstone Theatre. \nTheir set at the Williamson will take place in the Cafe\, which will be open for drinks and light bites (last hot food orders 8pm). \nPhotography welcome\, however no flash please. \n 
URL:https://williamsonartgallery.org/event/jazz-with-mark-jones-gerry-harrison/
LOCATION:Merseyside
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://williamsonartgallery.org/wp-content/uploads/Jazz-Mark-Gerry-1.jpg
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