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X-WR-CALDESC:Events for Williamson Art Gallery
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DTSTART;TZID=UTC:20251010T080000
DTEND;TZID=UTC:20251213T170000
DTSTAMP:20260531T012404
CREATED:20250530T150706Z
LAST-MODIFIED:20251010T092124Z
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SUMMARY:The Williamson Open 2025
DESCRIPTION:The Williamson Open is BACK for 2025! Our much-loved annual exhibition showcases the best in art and photography made by artists across the Liverpool City Region. \nThe exhibition is now open! \nTake It Home: Many of the artworks in the Open are available to buy. You can view and purchase artworks online as well as in-person this year \nView the Online Catalogue \nOn purchases made in the gallery\, we offer the Own Art scheme. \nOwn Art is a national initiative\, supported by Arts Council England\, to make it easy and affordable for anyone and everyone to buy contemporary art and craft by providing interest-free loans. \nChoose the artwork you love\, apply for a loan from as little as £100 up to £2\,500 and pay it back over 10 months\, completely interest-free. \n \nFind out more about the scheme and eligibility criteria: www.ownart.org.uk \nPlease note that Own Art cannot be applied to online artwork purchases. \n  \n 
URL:https://williamsonartgallery.org/event/the-williamson-open-2025/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Exhibitions,slide 1
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ORGANIZER;CN="Williamson Art Gallery":MAILTO:arts@williamsonartgallery.org
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250212T100000
DTEND;TZID=UTC:20250628T170000
DTSTAMP:20260531T012404
CREATED:20241213T132759Z
LAST-MODIFIED:20250522T095558Z
UID:10000241-1739354400-1751130000@williamsonartgallery.org
SUMMARY:Un/Earthed - A Retrospective by Landlines Studio
DESCRIPTION:Digging into the land and lineage of historical sites for the past five years\, collaborative artist duo\, Angela Stringer and Nicky Perrin present their formative works in an exhibition which reveals the alchemical process of turning raw earth into vibrant expressions of story and place. \nHarnessing natural materials such as sandstone\, soil\, clay and botanical matter from their local Wirral environment and beyond\, they create paint and dyes to make work which transcends its origins\, merging contemporary techniques with ancient traditions. \nA reconstruction of the artists’ apothecary style studio will immerse visitors in their creative practice\, showcasing the tools used to hand-process rock into fine pigment\, before the time-honoured method of mulling it into paint. \nUn/Earthed is the materialisation of journeying between the coasts of Anglesey and woodlands of Wirral. It is an exploration of identity\, heritage and tales told through natural colour\, reflecting on the deep connection between people and place. \nEVENTS: \nFilm Screening: The Nettle Dress \nFriday 23rd May\, 6pm\, £7 \n  \nBook Now
URL:https://williamsonartgallery.org/event/un-earthed-a-retrospective-by-landlines-studio/
LOCATION:Merseyside
CATEGORIES:Exhibitions,slide 1
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ORGANIZER;CN="Williamson Art Gallery":MAILTO:arts@williamsonartgallery.org
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240802T100000
DTEND;TZID=UTC:20241221T170000
DTSTAMP:20260531T012404
CREATED:20240530T091713Z
LAST-MODIFIED:20241101T112655Z
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SUMMARY:Into The Wyld
DESCRIPTION:Material Matters presents Into the Wyld: a festival of contemporary art exploring the continuing legacy of the medieval poem Sir Gawain and the Green Knight and its unique connection to the Wirral. \nInto The Wyld will feature a residency by the Material Matters Collective\, and work from over 20 invited artists across the region. There is also an associated programme of performance art\, poetry readings\, children’s workshops\, film screenings and a symposium. \nMaterial Matters’ artists will respond to key themes in the Gawain poem across three exhibitions: \n\nNature curated by Patric Rogers from 2nd August – 13th September\nChivalry curated by John Elcock from 19th September – 25th October\nSpirituality curated by Angelo Madonna from 7th November – 21st December\nWeavers a parallel programme of performance\, talks\, workshops and readings will be curated by Silvia Battista.\n\nGawain is a masterpiece text of the Middle Ages. The poem tells the story of King Arthur’s headstrong young nephew who after a dramatic bargain with a mysterious figure faces a long journey in which he must\, quite literally\, keep his head. Sir Gawain’s quest ‘into the wilderness of the Wirral’ is a fourteenth century narrative that will be given a radical 21st century interpretation by the artists. \nFeatured artists for Into the Wyld include: Angelo Madonna – Silvia Battista – John Elcock and Patric Rogers in collaboration with Amodali – Abbie Bradshaw – Nick Ball – Alice Colquhoun – Kris Darby – Will Dickie –  Ryan Gauge – Anna Jane Houghton – Adrian Jeans – Oak Luca – Brendan Lyons – Izzie Major – Piotr Marchewka – Paul Mellor – Margaret O’Brien – Attila Olah – Nicky Perrin – Eleanor Rees – Sarah Jane Richards – Andrew Shaw – Craig Sinclair – Camille Smithwick – Pierce Starre – Angela Stringer – Serah Stringer – Catherine Swire and Niamh Tam. \nProfessor Sarah Peverley (Liverpool University) will open the programme on the 3rd August with a talk on the poem’s history and textual brilliance and the real and imaginary landscapes that Sir Gawain passes through. Each exhibition will offer a family workshop led respectively by artists Madeleine Smart and Alexandra Hales. Associate Professor Catherine Morris (Liverpool Hope University) will moderate artists’ conversations with the public at the end of each exhibition. \nThe symposium Spirits of Place will take place as part of the programme on 12th October – find out more and book via the link below. \nMaterial Matters is an artists’ collective and co-operative engaged in artistic and curatorial practices that explore the inter-relationship between materiality\, aesthetics and performativity under a collaborative praxis the artists call ’emotional minimalism’. \nInto the Wyld is supported by Wirral Borough of Culture 2024 and Liverpool Hope University. \nWeavers Events: Spirituality \nMore about Material Matters \nMore about Wirral Borough of Culture 2024
URL:https://williamsonartgallery.org/event/into-the-wyld/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Exhibitions,slide 1
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DTSTART;TZID=UTC:20240419T100000
DTEND;TZID=UTC:20240727T170000
DTSTAMP:20260531T012404
CREATED:20240125T132040Z
LAST-MODIFIED:20240619T151506Z
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SUMMARY:Going To The Match On Tour
DESCRIPTION:Going to the Match\, painted in 1953\, is LS Lowry’s best-known and most popular picture. Although he painted football-themed scenes before and after this date it is Going to the Match which has become iconic – an enduring representation of what match day means to fans. \nThe 1953 work shows fans arriving for a Bolton Wanderers game at their former home\, Burnden Park. The painting’s iconic status has been recognised and loved by visitors of all ages: especially those who love football and those who celebrate this quintessentially Northern experience. \nThis hugely important and much-loved work of art had been on public display at The Lowry\, Salford since it opened in 2000\, courtesy of a loan by the then owners the Professional Footballers Association (PFA). Following a high-profile campaign\, Going to the Match was purchased by The Lowry in Salford for The Lowry Collection at the Modern British & Irish Art Sale at Christie’s in London in October 2022\, thanks to the generous support of The Law Family Charitable Foundation. The painting returned to public display at The Lowry in November 2022 as part of Salford’s Lowry Collection and The Lowry is now working with galleries and venues across the North West to ensure that the piece can be enjoyed by the widest possible audience across the region. Supported by a £95\,000 grant from Arts Council England through its National Lottery Project Grants programme and additional support from the Sir Bobby Charlton Foundation\, the tour will mean this iconic painting can be enjoyed by the widest possible audience across the region. \nThe painting is being displayed at the Williamson alongside other works by Lowry and a selection of pictures from the Williamson’s collection which place Lowry in the wider context of painting in Northern England in the mid 20th Century. \n#LowryGTTM \nImage Credit: LS Lowry\, Going to the Match\, 1953\n© The Estate of L.S. Lowry. All Rights Reserved\, DACS 2024
URL:https://williamsonartgallery.org/event/going-to-the-match/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Exhibitions,slide 1
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DTSTART;TZID=UTC:20240126T100000
DTEND;TZID=UTC:20240406T170000
DTSTAMP:20260531T012404
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SUMMARY:Craig Easton: Is Anybody Listening?
DESCRIPTION:Williamson Art Gallery & Museum presents Craig Easton: Is Anybody Listening?\, a touring exhibition from the University of Salford Art Collection which showcases two award-winning series of photographs; Bank Top and Thatcher’s Children. \nCraig Easton: Is Anybody Listening? seeks to challenge typical stereotypes of northern communities through authentic representation and raise aspirations of young people within the region through an accompanying engagement programme called Our Time\, Our Place. \nThe engagement programme\, Our Time\, Our Place being exhibited alongside Easton’s work\, has empowered young people to explore their own history and share it through pathways in photography and associated practices. \nIs Anybody Listening? Our Time\, Our Place is presented by the University of Salford and generously supported by The National Heritage Lottery Fund. \n\nAbout Craig Easton\n\nEaston won Photographer of the Year (2021) at the Sony World Photography Awards with his series Bank Top\, a collaboration with writer\, poet and social researcher Abdul Aziz Hafiz\, examining the representation and misrepresentation of northern communities. Commissioned by Blackburn Museum & Art Gallery\, the work focused on a small\, tight-knit community in Blackburn. \nHe also took second place in the documentary category for Thatcher’s Children\, which explores the inter-generational nature of poverty and economic hardship as experienced by three generations of one family across the Northwest. \nA passionate believer in working collaboratively with others\, Easton also conceived and led the critically acclaimed SIXTEEN project with sixteen leading photographers exploring the hopes\, ambitions and fears of sixteen-year-olds all around the UK\, in which Williamson Art Gallery also participated as an exhibiting gallery. \nHe often tackles stereotypes and responds to the negative way in which the mainstream media can portray Northern communities. The relevance of Easton’s work has resurfaced in a new light as communities endure the cost-of-living crisis and face new challenges and segregation. \nThe exhibition comes at the same time as the launch of Easton’s new book centred on his award-winning Thatcher’s Children series. Quotes from successive prime ministers demonstrate how deprivation is connected to the social policy failures of successive governments. \nThe exhibition marks the start of Wirral’s year as Borough of Culture for the Liverpool City Region. Wirral Borough of Culture 2024 is a year of incredible experiences in incredible places\, reflecting Wirral’s story and celebrating its people. The programme features a diverse line-up of culture\, arts and heritage across the whole borough and shines a spotlight on Wirral’s creative community and the regeneration of the Left Bank of the River Mersey.  Wirral Borough of Culture 2024 is led by Wirral Council and local cultural partners\, with support from Liverpool City Region Combined Authority and the UK Shared Prosperity Fund. \n 
URL:https://williamsonartgallery.org/event/is-anybody-listening/
LOCATION:Williamson Art Gallery\, Slatey Rd\, Oxton\, Birkenhead\, Merseyside\, CH43 4UE\, United Kingdom
CATEGORIES:Exhibitions,slide 1
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